Cats, one of the longest-running and most popular stage musicals worldwide, has always been a bit of a puzzlement to many a theatre fan, myself included. The show doesn’t follow the usual structure of a musical or stick to any of its conventions, yet it has proven to be incredibly popular and successful. Adapted from T.S. Eliot’s Old Possum’s Book of Practical Cats with music supplied by Andrew Lloyd Webber, Cats was one of the British mega musicals that took over Broadway during the 1980s. In all the show ran for eighteen years on Broadway and has toured the country since the mid ’80s, a favorite for families long before Disney’s The Lion King appeared on the horizon in 1997.
Cats is an assemblage of various character numbers with only the barest semblance of a plot; its main assets are a catchy score, character design, and dancing. It isn’t a real musical in the traditional sense, but it has surely drawn many people to the theatre over the last thirty-five years who may now owe their initial curiosity about live theatre to this show; in that way, Cats is a force musical theatre scholars can’t deny, one that has helped to foster generations of theatregoers who perhaps moved on to more serious and deeper pastures musically. The show’s flagship song “Memory” is now a standard, one that even the staunch theatre cognoscenti (those that count Cats along with other British juggernauts like Les Miserables, The Phantom of the Opera, and Miss Saigon as somehow inferior works) can’t discount entirely.
Cats has now arrived via Columbus Children’s Theatre and Columbus Moving Company at the historic Lincoln Theatre in a production that is elaborate with energy to spare. Here the cats frolic and scamp about, sometimes even through the aisles around the audience. This production replicates so many of the costumes and bits of stage business quite familiar to fans of the show while making some notable and welcome changes that aid in making it the kind of local event that commands attention. Even if you’ve seen Cats many times before, this production is still very much worth your time and attention.
Highlights of this production include seeing Mungojerrie and Rumpleteazer (Kyle Swearingen and Sara Tuohy respectively) perform their number with added acrobatic feats; William Macke shimmy his way around the stage as Skimbleshanks, The Railway Cat; Ryan Stem’s solemn and solid portrayal of Old Deuteronomy; Stewart R. Bender performing double duty as jolly Bustopher Jones and the heartbreakingly infirm Gus, The Theatre Cat; and last but far from least, Kendra Lucas as Grizabella, The Glamour Cat, eloquently delivering “Memory” as if the words are occurring to her for the first time, more than matching the best interpretations of that famous song.
Director Ryan Scarlata sticks close to the feel and staging of the 1998 film version produced for television and video release, which appears to have been a valuable reference. Still, some of the best moments are when Mr. Scarlata and choreographer Jeffrey Fouch (who also adeptly performs as Quaxo and Mr. Mistoffelees) veer away from what we expect from Cats, incorporating more gymnastics and acrobatics into the presentation. Michael Brewer’s decrepit circus set fits the material far better in my mind than the traditional junkyard, as the various musical sequences feel more like circus or vaudeville acts than alley performances. Brendan Michna’s layered lighting serves to enhance each scene and support the excellent craftsmanship of the many talented people working behind the scenes to make sure the makeup, costumes, and wigs are just right.
The only aspect of this production that is sometimes disappointing is that of the music, which is a pretty big deal for a musical. I’m sure it’s no fault of musical director Jonathan Collura as he never missteps in his accompaniment, but only so much can come across without the proper instrumentation. Many numbers sound more like elevator Muzak than what should be playing alongside the action on stage.
Columbus Children’s Theatre and Columbus Moving Company have done a remarkable job mounting Cats with production values that meet or exceed what we usually see from national tours when they pass through Columbus. It really says something when I find myself enjoying a production of a show of which I’m not particularly fond, but that is exactly what happened in this case. Don’t let the 150-minute running time listed on CCT’s website scare you off; it actually runs two hours including the intermission though no songs are missing or are abridged (aside from “Growltiger’s Last Stand” and perhaps longer dance sequences that pass without notice). Cats is still a show that makes many a theatre fan roll their eyes, but I found myself humming the tunes to “The Rum Tum Tugger” and “Skimbleshanks The Railway Cat” as well as the ubiquitous “Memory” for days afterwards.
***/ out of ****
Cats continues through to May 15th in the Lincoln Theatre located at 769 East Long Street, and more information can be found at http://www.columbuschildrenstheatre.org/cats.html